I am sooooo proud!

I’m not even going to try to pretend that this is a small thing for me – I just can’t believe there’s a whole episode of the pod Drinking from the toilet with my voice in it! And I’m saying some good stuff! I have decided that my accent is charming and not annoying at all and that I’m actually doing a decent job – with a lot of help from Hannah – trying to explain my Swedish thoughts in English.

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We talk about what makes a good photo, a few tips on what to think about when you want to photograph your own pup, a bit about why I feel strongly that no photo is worth a sad dog, and about the training of a good Top Dog Model.

There’s no photo worth a sad dog! There just isn’t!

And it’s free to listen to. Let my (not so) soothing voice join you in your next car ride (that’s the time in my life when I listen to podcasts), train ride, or dog walk. I hope you get some new ideas!

Studio work

Winter is coming, and I’m trespassing on my husband’s garage…Why? Because it’s nice and warm – and has room for a (very simple but still) studio!

Yep! I’m all set for winter. It’s not a lot of fancy stuff, most of it is second hand, but it works! Two large softboxes with continuous light. Some backgrounds. A fake-floor. Some cheap props.

I’m having so much fun!

My own dog is really easy to photograph, a trained model who loves to work with whatever I bring home.

Do you want to train your own dog to be a Top Dog Model? There’s an online course in the making right now… Just saying… 😉

I’m learning about studio lights, fixing the background in post, trying to get that personality showing.

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It’s really fascinating. And I get to work with different kind of breeds, colors, and furs.

I just love finding the right ways to combine training and photography. It’s all about happy dogs!

So…All set for winter! And one step closer to my dream 🙂

Pug mania!

I’m getting to know some of the sweet photography spots in my forest by now. It’s a really cool place, within 30 minutes of walking I have some very different areas. Today, I worked with a special model.

Meet Johnny Pug – the coolest Pug in the forest!

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his is about 20 meters from the main road. Already the forest is all around us, no sight of any cars. No sight of anything man made in fact…(except the pathway).

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A bit further is the deforestation site I’ve used before. At the edge of it, the stones are covered in moss.

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Perfect lookout place for a small dog!

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At the end of the site, the pathway divides in two. We started to the right.

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After a short bit, there grows a lot of these plants – perfect as a shelter for a pug!

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A bit of play and fun with Mom on the way.

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Johny here is ninja-trained. Do not try this with an untrained dog.

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And sometimes not all lights are on Johnny…His human “brother” is just as cute!

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Not only lions live in the high grass that we found about ten minutes later. 

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And to top it all off: heather! Loads and loads of heather!

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“Luckily I’m secure in my manlihood. I can pose with pink flowers just as good as any bitch!”

I feel like I’ve moved to photo paradise… 😀

Puppy in Dystopia

I would never place a puppy in an unfriendly environment for real. But I had this idea of a puppy, all alone in a world gone bad, alone with just a toy.

This is my first session with a customer in “my” forest. We went to a deforestation five minutes into the forest, and just let the puppy loose to follow his own desires (of course, Mom is nearby all the time!). It worked like a charm.

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Of course, we also did some “normal” portraits!

It’s awesome to have these two environments literally side by side…

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Yes, there is a stick flying through the air. We were trying to get him to look up. Well…

Puppies grow up too fast. Totoro will never be nine weeks again. These photos are precious, they freeze time and create memories. And he had a GREAT time!

Exercise in creativity

A few weeks ago I purchased Eric Kim’s “eternal return to creative every day”. It’s a fun little booklet with creative ideas and exercises, and I finally printed it and started with the first task yesterday.

Photograph everything that interests you during one day. Go through the images, see what you like.

I did. These are the ones I chose (from a trip to Copenhagen):

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I am pleased with the result, Every one of the photos tells a story – at least to me. From the moment we left (Midori says “Huh! You leaving?”) to waiting in traffic five minutes from home at a roadblock.

Easy like sunday morning

It’s 5.30 Sunday morning. Husband is asleep, I am awake because the sheep started baaa-ing for food and we have neighbors. Dogs are with me. It’s cloudy but warm, all is quiet (as soon as the sheep are fed).

Instead of going back to bed, I fetch my camera and my Lensbaby velvet 56. This morning I feel like photographing slowly, look for compositions and details, and just fill my head with here and now.

The dogs find their spots in the grass and watch me move slowly, looking at flowers, grass, bushes, anything that catches my eye. When I get more than ten meters away, they get up and find a new spot a bit closer. We are a family. Families stick together.

I forget about the time and take about 50 photos of a rosehip bush. And then 50 more of some raspberries. And so on. My Lensbaby forces me to go slow, set focus manually, really look at my mage before I shoot. It’s really relaxing.

So, these photos are just for me. Full of Sunday morning, summer, dogs by my side, and doing what I love.

Christina and Fant the Fant-astic!

I’ ve known Christina on the web since she took one of my online classes, and I’ve admired her work. She and her beautiful cocker Fant lives in Paris at the moment (enjoy her insta! ), and as they were passing by Sweden she asked for a private session. Some new ideas on street photography, and how to pose Fant in order to not make him look posed, was on the wish list.

We met in Västra Hamnen in Malmö (a beautiful part of the city, do not miss when passing by!). I know the area fairly well, and as Christina wanted to work with the composition of lines and shapes with her 16mm wide-angle, I added the idea “dog goes on an adventure in town” to give a bit of backstory.

And then we got to work. For me, one of the keys is to really “work through” an area. Different angles, compositions distances, poses…Little by little that makes me realise what I want from this scene, and I often end up with something completely different than my original idea. So that’s what I had Christina doing.

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Fant is a very well trained model, and seemed to really enjoy himself! Lots of treats were involved 🙂

We deliberately chose poses that did NOT involve looking into the camera. The idea was to capture Fant’s view of the town – how would a dog explore? If he was a bit adventurous, and more about seeing than sniffing (I know, it’s not super realistic, but the images get better…)?

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This part of town has lots of big windows, and that means lots of reflections. So much fun to play with!

Of course, a dog visiting Malmö would want to look at the sea and the bridge to Copenhagen. We got him to look in the right direction with a little help from some strategically arranged treats.

I really liked the idea of him lying almost like a statue, overlooking the city with the Turning Torso behind him. Him – not so much…But hey, anything for Mom!

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And my last one of a very warm and tired Fant. He did not actually seek that shadow by himself, we put him there. It still tells the story 🙂

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My shots are a bit haphazard, I wasn’t there to shoot but to teach and give feedback and suggestions. I know Christina got some really good ones, and can’t wait to see them!

So. Lesson learned:

  • What’s the story?
  • Try, try, try!
  • Change something in every shot
  • Leading lines
  • Diagonals
  • Rule of thirds
  • Play with reflections
  • Avoid poses that look posed
  • Work with the light, make the subject stand out
  • Don’t be afraid to go close
  • Don’t be afraid to back up
  • Keep the dog happy!

And to finish: keep your eyes open. What happens around you?

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Jenny

This weekend I had a shoot with Jenny. I wanted to do something in Game of Thrones-style, and use a friends dogs to be “wolves” (small, but still). I had a clear idea of the final result, and we had a lot of fun trying to achieve the right poses, fight the mosquitos, get the dogs to cooperate, keep the dresses up (a bit too big), and keep little sister busy…

Behind the scenes a shoot can look something like this:

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After about 90 minutes, I had all I wanted and more. Finished result after some work in photoshop to get the fairytale feeling:

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And, of course, little sister got a quick portrait 🙂

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It’s a lot of fun to get to work with a theme like this! Thank you all those involved in the process!

 

Posing boot-camp

I never pose the people I photograph, I work with moment design and work with the poses that come naturally.

But. I want to be able to pose someone if I have the need, to have the skill! So in order to learn, I searched the internet after a photographer who works like that, and give classes. I found Meg Bitton, and am currently in her Posing Boot-camp.

This week’s assignment is posing a single subject. I borrowed a friend’s daughter yesterday, and got to work – trying to remember all the “do’s” and “don’ts”. My model was absolutely fantastic and tried everything I asked for without hesitation, despite mosquitos and nettles.

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Bend, twist, and turn. All limbs visible (at least partly). Hands relaxed.

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Take the photo slightly from above, to enhance the eyes.

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And remember location! Where is the light? How can I make her stand out?

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I love this photo, despite the flaws (her right hand is not placed in a good way). That look…

When I had tried all my ideas – some worked, some most certainly did NOT work, she got to play around a bit on her own:

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Really like this pose! Relaxed, with movement, twists and bends for interesting shapes. Hands relaxed.

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And this light! All limbs visible, slightly diagonal lines, beautiful.

So far so good! I look forward to more sessions and experiments! And yes, this will be in my repertoire. Soon.

Lensbaby Burnside 35

It was only a matter of time before my Lensbaby velvet 56 got a friend. As I love swirly bokeh, often use 35mm, and always add a vignette when I edit, the choice was easy. Burnside 35.

I got it yesterday, and this is the very first photo:

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I wanted to make the most of that swirlyness!

I have read that some photographers have had a hard time adjusting to the Burnside 35, but (as I almost already knew) we became instant friends.

So far, I have only had the aperture set to the largest: f/2,8. It gives the perfect effect for my taste. The “golden slider” that controls the vignette is set as dark as possible. I love, love, love how it looks!

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As you can see, the swirlyness is dependant on the background. It gives a nice creamy bokeh, beautifully matte colours, and is crisp and sharp with a painterly feel at f/2,8. It’s very different from the velvet56, a perfect complement!

I also found it much easier to focus. Then I realized that:

  1. I had my lenses on = my eyes function properly
  2. f/2,8 instead of f/2
  3. And i’s easier to see what’s sharp when there is no glow – but the glow and supersoftness is what I love about the velvet 56.

My lensbaby obsession continues…

And so does my obsession with the magnolia in the garden. These are with the velvet 56.

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